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At FTB discretion and the client's permission we will analyze the client's network free of charge and point out weaknesses and areas of improvement on the client's network. If a client agrees to make use of our services we sign a month to month contract with the client with a general 4 hour response and an 8 hour repair time frame on a fixed hourly rate per month.
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Film and Video
DVD recordings for live shows and concerts. Multi-cam video and multi-track audio.
Need a DVD recording for a live shows or concert?
A live DVD recording with multi camera angles and multi track audio is the ultimate combination of technical disciplines, creativity and skill. There are so many aspects to facilitate during such a project ranging from acquisition format to sound, multi-cam sync and editing, Dolby Surround 5.1 mixing and delivery format like DVD or Blu-Ray.
Benefits to the client:
- We provide and facilitate all technical services required
- Multi-cam shooting and editing allows for client changes in post-production
- Multi-track audio allows for pitch correction and re-recording of ie. vocal tracks
- Sound-Engineer, Camera operators, Vision mixer etc. Will be on site
- Dolby 5.1 surround mixing.
- Delivery on DVD / Blu Ray / Betacam-SP (delivery to TV station)
- Graphics design & photo shoot for DVD cover available
- Our highest goal is client satisfaction.
- Sound production (Audio mastering by in-house Sound-engineer)
- Client input (room for client changes)
- The result is a commercial quality DVD to be distributed for sales
Need more info?
Herewith follows a detailed description on how we tackle such a feat:
Let’s take for example a 6-camera musical concert DVD with multi-track audio. I believe it’s important for you to understand the process. When recording such a DVD you can communicate to technical crew what it is that you want.
Multi-track audio means we record every voice and instrument separately, similar to a studio situation. A splitter is used to conduct signal to the Pro-Tools recorder. This allows us to re-record faulty vocals or instruments in the studio after the show and maybe do some pitch correcting for a studio quality surround mix with a live feel.
Camera positions are planned in advance. First and foremost we have the Jimmy Jib crane camera for all sorts of interesting shots including audience fly-over’s. Secondly we have the dolly and trach which is a bit like a trolley on a train rail. This is a very cool looking shot with some movement and audience in the foreground. Thirdly we have an extreme wide angel at the back of the venue. Fourthly is the close-up camera with an HD lens. The fifth and sixth camera may be located on the flanks of the stage for further close-ups and odd 45% angled shots with a bit of a music video flavour. All six camera’s are fed to the vision mixer. Cameramen are directed with voice comm. Sets.
Most production companies record the output of the vision mixer as the final product prohibiting any changes to be done in post production. This is where we do things differently. I prefer capturing the footage of all six cameras and doing a complete re-edit in the studio. In this way my clients can give their input. An unwanted shot can thus be changed to any of the other 5 camera’s at any time during the post production phase.
Last step in the process is creating an interactive DVD menu containing sound, video text and animation. The master is authored and delivered to the duplication house where thousands of copies are made for commercial use.
Making a DVD like this consists of a crew of 11 people. Of course every DVD shoot can be customised according the client’s needs. I hope you found the process interesting. You are welcome to contact us if you need any assistance for a similar production.